Krishna Premi Upanyasam

Krishna Premi Anna
Krishna Premi Anna Upanyasam
Sri Krishna Premi
Sri Krishna Premi Anna Upanyasam
Krishna Premi Wives
Krishna Premi Upanyasam Tamil Download
Krishna Premi Upanyasam Tamil

Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Selections from Upanyasams Sri Ranga Mahathmiyam by Sri Krishna Premi Selections from Upanyasams Sri Ranga Mahathmiyam by Sri Krishna Premi.

Restored Sri Krishna Premi's upanyasam (audio) on ThiruviNNagaram Thala Puranam-Restored Sri Krishna Premi's upanyasam (audio) on Nammaazhvaar and Tirumangai Azhwaars' anubhavams of Sri Oppiliappan-Added Sri Madhavakannan's translation of Nammazhwaar's anubhavam of 'Thiruvinnagar Appan' - Thiruvaaimozhi 6.3. SandhyaVandhanam - Upanyasam by Shri Krishna Premi by thapas published on 2011-10-19T21:44:49Z. Users who reposted this track Naveen kumar N. Gautham Krishnan 1. Gautham Krishnan. Subramani Venkat. Subramani Venkat. Restored Sri Krishna Premi's upanyasam (audio) on ThiruviNNagaram Thala Puranam-Restored Sri Krishna Premi's upanyasam (audio) on Nammaazhvaar and Tirumangai Azhwaars' anubhavams of Sri Oppiliappan-Added Sri Madhavakannan's translation of Nammazhwaar's anubhavam of 'Thiruvinnagar Appan' - Thiruvaaimozhi 6.3.

Sri Rukmini Kalyanam. Sri Krishna Premi Maharaj presided over and honored Sri Vittaldas Maharaj's Rukmini Kalyanam upanyasam on Dec 13, 1992 at Salem. Sri Krishna Premi Maharaj's comments about the Upanyasam can be heared in Part 6, 7 and 8. Sri Sri Krishna Premi Maharaj fondly known as Sri.Anna is a combination of all the various facets of all preceeding avadhara purushas. He strives so relentlessly for establishing the greatness of archavatars and restoring their grandeur and splendour that he reminds one of Saint Ramanuja. When he dances down the.

ThiruviNNagara Divya Desam: News and Updates ThiruviNNagara Divya Desam News and Updates Updates - The Temple - moolavar, thaayAr. - history - aazhvaar paasurams. - utsavam vehicles - sravanam, Sponsored Sevas, thEr utsavam. Audio Images, kalyana utsavam, pushkarni, etc Video, Samprokshanam (2009), Kalyanotsavam.

Related articles - article on Navanitam Swami of Tirumangai Azhwaar of Nammazhwaar Other Guestbook, [] [] [] [] [] [] (April 2009) - Added Videos (Feb 2009) - Added on Samprokshanam, Kalyanothsavam, etc. - Sravana vratham dates for 2009. Note: The dates below the official dates as per Sri Oppiliappan Temple panchangam and are based on Indian local time.

In the beginning of the keerthanam, Sri Sadguru Sadguru Swamigal tells all the bhakthas of the ways to reach the lord from within the ocean of samsara. En Peruman is ready to even leave the paramapadam and come and live with us. He is the antaryAmi within us.

In each and every temple, divya desham he is present for all of us to have darshan. Amongst such divya deshams, where the glory is sung heartfelt by the Azhwars, are the 108 divya deshams.

There are also purana sthalams. There are also the avatAra sthalams of the Mahans. Sthalams where bhakthars have sung are also there, where bhagavan has come to stay. Such songs are the truths from the vedas. If bhagavan did not stay there, these sayings would not be truthful. To maintain this truth, bhagavan resides in these divya deshams.

There are thus many many kshetrams and divya deshams in India. Amongst all the great many punya kshetrams and divya deshams where many mahans have sung the glory of the bhagawan, one of the most famous is Puri Jagannath. In this kshetram there are present alongwith the bhagavan, Jagannatha perumal, Balaram and Subhadra.

Some kshetram or divya desham or to which perumal we always pray and be in divine contemplation and service is verily bhakthi. This is being told in the pratham padham in the song 'Bhajare Manasa Jagannatham'. The Great Mahans giving upadeshams to others are quite less in number. They would usually tell to themselves.

Whatever they tell to themselves is for others sake only. Bhajare Manasa Jagannatham meaning ‘Oh! Mind, always do bhajan to Jagannatham’, he is Lakshminathan always being served by both devas and munis. What will we get if we do bhajan to Jagannatham if one asks? All your sorrows will end. That is important.

Unable to face sorrows, different types, different diseases, different dangers, difficulties and losses, this is samsaram. There are several pariharams (deliverances) for our sorrows. Sastras split the sorrows faced by us all into 3 types - AdhyAthmikam, Aadhibautikam, Aadhideivikam. For all these three types of sorrows, parihAram is also available. Both sorrows as well as parhAram are available, that’s what we see nowadays.

Of these AdhyAthmikam is about the different diseases for which we search for parihAram in the form of medicine and doctors. Are we not doing parihAram for diseases. On one side parihArams are being done, on the other these diseases are thriving more comfortably than us. So there is no single vimochanam (liberation) from diseases. Ultimately the vimochanam (liberation) for our karmas and resulting sorrows is only one and that is the thiruvadi (lotus feet) of bhagawan Jagannathan.

Whenever we want to go closer to bhagavan we seek somebody who will take us, as we see in Sri Ramayanam its Vibhishanam as he being in sky cries out to someone who can take me to Sri Rama. A while ago as Krishnan Swami said, ‘Taking hold of Adiyarghazh only can we go to Perumal. In Puri Jagannath kshetram there is Balabadran (Adhishemam amsham) and Subhadran is also present and if we go and have the darshan there all our sorrows will be removed. Our sorrows come mainly due to our papams and once all the wrong doings are eliminated, our punyams will get activated and we start to be happy again, but this is again only transient and temporary.

As we see when we take medicine the deliverance from pain is temporary. Sarva papam will be removed (vimochanam) only with bhagavan namam.

Bhagavan namam has such a sakthi, if it can remove all the papams all the dukhams also will be gone isn't it. All the punyams will be left over then and we can attain the thiruvadi of the bhagawan. Thus if we need sakala sowbhagyam and removal of dukham, we should perform the bhajan of Sri Jagannathan. Many bhakthas and Acharyas have gone to many of these kshetrams and shown us the 'nama' as the path to reach the bhagawan. Among the Acharyas the most famous is Adi Shankaracharyar who went to Puri Jaganatham and prayed to the bhagawan Sri Jagannathar. Only Adi Shakarar could see the bhagawan and his consort Rukmini in the famous rathotsavam (chariot) procession of Sri Jagannathar. This kshetram is also known as Neela chalam, its mentioned in great detail in the Brahmapuranams kshetra mahatmiyam and is located in the coastal town of Puri in the state of Orissa, India.

Life is felt worthless only due to the lack of bhakthi. Any amount of rebirth will not wean away bhakthi. He just prayed so that he may get that kind of bhakthi and for nothing else. Padmavathi when she realized that bhagavan had come was also wonderstruck. But she did not feel too great about that, why because Jayadevar and herself were not there at that time when she only had the darshan of the bhagawan. Thinking thus tears flowed down her face. Jayadevar also was still expecting Sri Krishna would come.

All Ashtapathis are happening as their natyam (abhinayam) only. On one occasion, the Gita Govindam disappeared. Their bhakthi was solitary and nobody would enter into the Nikuncham and noboby was invited even. Only Padmavathi and Jayadevar existed in it. Jayadevar would play the veena and padmavathi would dance the radha bhavam. Leelais were easily danced as abhinayams, why even Raasa leelai. But Radha Viraha thapam, how abhinayam could be done about extolling this? This is an experience isn't it. Experience cannot be expressed in dance so easily. That feeling has to experienced in oneself, only if viraham comes to oneself then the abhinayam could be performed. As the Viraha Thapa Ashtapathi was sung by Jayadevar, Padmavathi was still and could not dance, why because Padmavathi had to become that Radha, then only that viraham will come and only then she can be Radha.

Krishna Premi Anna

anu vindati khedam adhIram

kalayati malaya-samIram

mAdhava manasija-vishikha-bhayAd iva

sA virahe tava dInA

Padmavathi standing still thinks how she can do the viraha thapa, it is possible only on separation from Sri Krishna. Her bhagawan is now sitting before her and how can she. Jayadevar asks padmavathi to dance and padmavathi replies, how, how is it possible. Jayadevar says now, 'If this is too much, have the bhavam in your mind. In your mind have the bhavam of Radha'.

shrI-jayadeva-bhaNitam idam adhikaM

hari-viraha-kula-ballava-yuvati

sA virahe tava dInA

On Meditating upon Radha, padmavathi got the bhavam of Radha. Becoming Radha thus, padmavathi, searching for Sri Krishna cries and cries. Jayadevar seeing this, keeps the veena down becomes a sakhi and says, 'Radhe! Krishna will come, you should not grieve like this' and saying thus, he wipes away the tears from Padmavathis eyes. Jayadevar cries, Padmavathi cries and the environment is like that of the Sakhis and Krishna and in that feeling he turns and suddenly there is a bright light. It looks as if the swing is rocking. In that swing, Sri Krishna is sitting in the divya roopam with Sri Radha. When Jayadevar and padmavathi saw this divya darshanan, they immediately fell at the feet of the bhagawan and were overjoyed and danced with happiness with Sri Krishna. The bhagawan sri krishna threw his vaijayanthi mala around Jayadevar and Radha gardlanded Padmavathi with her mala and all through the night they had the divya darshanam of the bhagawan bathed in the divine. Blessing Sri Jayadevar and Padmavathi with this joy forever, the bhagawan disappeared. Be in bhakthi and perform this always was the only wish the bhagawan gave Jayadevar and Padmavathi. What else would one wish for more than this. There is no bigger present than this. Jayadevar was gratified with the Krishna darshanam. Singing the divine Gita Govindam, the couple lived happily. They were singing very well. They even taught this to some children. The children would then go to their homes and sing this as well as in the temples. Some pandits listened to this. What a great poem, why this is not coming out, they thought, just like a shadow being cast on the forest. If it did come out many rasikas would be happier and enjoy them, wouldn't they? So they thought that they will call upon Jayadevar and honour him at the kings court. Thinking thus, they came to Jayadevar and put forth their idea. Immediately Jayadevar said, 'I did this only for Hari preethi and not for Nara preethi. What am I going to do when many people listen to this?' ok, they replied 'if thats the case, you dont have to come to the Kings court, why then dont you sing in the Sri Jagannathars court?' Jayadevar definitely will accept this, why because the whole of Ashtapathi is on Jagannathar.

1st Ashtapathi itself is 'jaya jagad-Isha hare'. Jayadevar has kept this in the heart, the nama of bhagawan Sri Jagannathar. This poem dedicated to Sri Krishna as Krishnaarpanam, in the beginning itself its bhagawan Sri Jagannathar's name. The Ashtapathi songs were then accepted to be sung at bhagawan Sri Jagannathar temple by Jayadevar. Even today in the Puri Jagannathar temple, in the early morning suprabhatham hours, Gita Govindam is the daily suprabhataham.

Krishna Premi Anna Upanyasam

vihita-vahitra-charitram akhedam

jaya jagadIsha hare

The bhagawan was beaming with happiness on hearing this as well as the bhakthas. All were happy. Gita Govindam now became very famous. Someone in this country went to the King and told him know about this. The name of the king then was Lakshmanasena. He thought, 'such a famous poet as this has to definitely grace our court. Who is this poet? All poets in this country have become asthana vidwans and have been bestowed upon with gifts, why not this poet?' But when an invitation was sent to Jayadevar, Jayadevar said he would not come. The king was not pleased. He wanted a competition to the Gita Govindam to prove its might and also to see whether the Gita Govindam is really the best. Normally if a famous person such as the King brought about a poem or something, it would become famous since its been propagated by a famous person and everyone would proclaim. The King wanted to bring about this so Jayadevars poem would get less attention and become dull in the wake of a new poem. But Jayadevar was not at all worried about that. The King wrote a big poem, invited all the pandits to review it and everyone said its very good, after all when written by the King it ought to be good. But when the pandits were asked about how it compared with the Gita Govindam, they said this could not as the Gita Govindam was unsurpassed and matchless in its divinity. They replied, 'Hey Maharaj! Your poem does not even compare 1:100 with the Gita Govindam, thats a poem for a lifetime. Gita Govindam is Unique'. There can be no discrimination or bedham when compared with the Gita Govindam. Between pandits, there will only be asUye. But when talked about Gita Govindam they can say only with yaThArtHam without any discrimination. Jayadevars Gita Govindam is a divya Kavyam, divine poem. Jayadevar is no ordinary poet among us, he is divinity personified. The King then replied, 'Well. We can then setup a test by keeping my poem and Jayadevar's poem at the feed of bhagawan Sri Jagannathar in the temple and let the bhagawan decide whose poem is better and which is far more superior. Sri Jayadevar however was in no way connected with all this and neither interested in the outcome nor even aware of this. The pandits as instructed by the king went to the sannadhi of bhagawan Sri Jagannathar and kept the poems at the feet of the bhagawan, closed the temple doors for the night and came back. Gaurds were posted to look after the temple for this contest. Next day Morning at the Suprabhatham time, 'Uthishtothishta Govinda uthishta garudadhwaja Uthishta kamalakantha trilokyam mangalam kuru - 'Sri Govinda! All the three worlds are under your rule; they have to prosper. Wake up, my child.', with all the Musical Ghoshas playing, bells ringing, the door to the sanctum sanctorum was opened and all were extremely interested to see the outcome of this contest. As we behold the bhagawan in all its magnificence 'Shrivatshankam udara-kaustubha-dharam pitambaram sundaram', 'sreejaydeva bhaNitham idham adhbutha kesave keli rahasyam'...Everyone present there was surprised and the King had tears in his eyes not out of sadness that his poem was not accepted but out of happiness that the bhagawan had graced him. Just a lie, even that if it is said with the word Krishna is enough, to have the bhagawan's grace, such is its greatness. Your Kavyam is subdHam. Jayadevar consoled the King telling him thus, 'Only God did not accept it, but I will accept it, how, I will accept your poem as equal to my own'. In Vedam, there is no distinction, we can't and we shouldn't and we can't even. How can Vedam have inclusions, in a manifested Vedic Gita Govindam, Jayadevar added the Kings poems and made it a Mahakaviyam. Such a magnaminious mind must be there. Even today when the bhagavathars are singing the Gita Govindam slokas, the bhagawan is listening equally. Gita Govindam became famous.

The children of that place now started learning ashtapathis. One poor girl was learning ashtapathi from Padmavathi. The girl had a job to do, selling vegetables in the morning and jasmine flowers in the evening. She would do that job well and also learn ashtapathi from Padmavathi. Its now evening, vasanthakalam, the girl is plucking lots of jasmine flowers putting it into a beautiful flower basket. Now as she is plucking the flowers from the bushes and being closely associated with Padmavathi she already had the bhavam in her heart. Immediately she started singing ashtapathis....

Sri Krishna Premi

lalita-lava~Nga-latA-parishIlana-komala-malaya-samIre

Sri Krishna Premi Anna Upanyasam

madhukara-nikara-karambita-kokila-kUjita-ku~nja-kuTIre

nR^ityati yuvatI-janena samaM sakhi virahi-janasya durante

She is dancing and singing ashtapathis as she is plucking the flowers, bhagawan Sri Jagannathar and Kannan are there now, listening. Wherever we sing in that place, the bhagawan is there, but the right to see we dont have, thats all. But just because we dont have it, we should not think the bhagawan is not there. Where Ramayanam is read, Sri Hanuman will definitely be there 'yatra yatra raGhunAtha keerthanam tatra tatra krta mastakAnjalim'. We should not say, we can't see. We dont have the bhakthi to see. Where Gita Govindam is sung, definitely Sri Krishna will be there. Why is the bhagawan there, not because we are singing...Jayadeva...is being mentioned in the song and to listen to that. Thats why the Gita Govindam has to be sung with bhakthi, thinking of the bhagawan it should be sung with bhakthi. This girl did not know the presence of Sri Krishna. Finished plucking flowers, the girl is about to leave as well as the bhagawan, but the bhagawan felt that he should give a gift to the girl. Immediately, the bhagawan removed his ring from his finger and put that inside the flower basket and then dissappeared. When the girl now started off selling the flowers and calling out to people to buy the flowers, the Minister standing outside his house heard her and started to ask her how are the flowers and how much they cost. He put his hands inside the basket and as he took the flowers to examine them, a shiny ring fell out of that. He asked the girl, 'whats the price of this ring, whose ring is this? where did you get this ring? The girl was surprised and asked, 'what, was this ring in this basket? Yes, it came from this basket. You only brought this. But the girl insisted, 'I did not bring it, I did not'. But the Minister further probed asking, 'Where from did you steal this?'. Krishna! The girl screamed, 'I don't know, sir. I did not steal this'. Where did you get this then? Was it from your home? No. Then whence from did it come? Did anybody give you this? No. Which houses did you visit, before coming here? The girl replied, 'I have just come straight from the garden. Did not visit any house except yours being the first one'. The Minister asked, 'Where did this basket come from?' and the girl replied, 'Its from my home'. Then the Minister took the girl straight to the King and told the King that this girl has this ring and please enquire. Then the Minister left. The King then interrogated the girl and the girl was terrified and crying. The King thought, the girls heart is clean and she is in truth terrified and she must be innocent. There is no wrong done by the girl. Also the one who has lost such a magnificient ring, would he stay silent, he would definitely come and complain to the king that this has been stolen, the king thought, so until then let the girl be in held and kept her in custody. The girl was crying for what, whether to go home or for the ring found in the basket. No she was crying as she could not see Padmavathi. The King was preplexed not knowing what to do. He thought, I cannot unjustly punish the girl, the owner of the ring has not come to claim it. Worrying, the king slept for the night. At night, in his dream the owner of the ring came and said. 'The girl is innocent, she has not done anything unjust. Free her!' The girl sang Gita Govindam, therefore we have given her the ring as a present. 'Wherever Gita Govindam is sung, there I will be present dancing', the bhagawan said. 'The poem of Jayadevar tanatalizes my mind. Therefore O! King! Daily in the temple, celebrate me with the song of Gita Govindam. To make you aware of the mahimai of the Gita Govindam, this leelai has been performed'. Telling thus, the bhagawan disappeared. Then the dream was over. Morning came and the King immediately released the girl. The girl immediately ran to Jayadevar's house and told padmavathi, 'You taught me ashtapathi, see here I have been gifted a ring'. Padmavathi took the ring, saw it and pressed it to her eyes and said, 'the bhagawan is bhakthavatsala, you have sung and being happy with your ashtapathi, the bhagawan has gifted you this'. If the bhagawan is pleased, what you wont get. We dont know what more you are going to get. While she was saying thus, the King appeared. Coming towards Jayadevar, the king said, 'Swami, your Gita Govindam must be sung in the temple, this is the order of the bhagawan. You should please accept this kainkaryam'. Jayadevar would have liked to very much do the kainkaryam, but still he was a person who desired freedom and could not be forced into. Rasikas generally wont like to forced to do something. So Jayadevar said, 'One of my pupils will sing ashtapathis very well, why dont you get him and the girl who received the ring be married, daily their work has to be nominated to sing at the bhagawan Sri Jagannathar sannidhi singing ashtapathis. While they are singing, give them daily living a place to stay'. The King liked this idea very much and immediately accepted it.

Krishna Premi Wives

Jayadevar mahatmiyam as well as Gita Govindam mahatmiyam both are coming in conjunction with each other. Gita Govindam is sung in every kshetram. The Ashtapathis are sung in Badrikashramam, Tiruvananthapuram, Guruvayoor, Jaganathan (Need no telling). In Tamil Nadu in every village and that too during the month of Marghazhi, ashtapathis are sung and also in each and every radha kalayanams being performed.

Krishna Premi Upanyasam Tamil Download

Krishna Premi Upanyasam Tamil

Even in Brindavanam there is not so much radhakalyanam as being celebrated in Tamil Nadu. How many Radha Kalyanams are being performed by so many bhakthas in Tamil Nadu, needless to say its unimaginable over time immemorial. Such a melodious paddhathi shown (although jayadevar sang them), was brought as the treasure to the bhagavathas and all of us only by Marudanallur Sadguru Swamigal, he was the one who gave us the Gita Govindam. Gita Govindam if sang by itself is a Radha Kalyanam. There is no need to perform a Kalyanamam itself as a kriya. Its being done still due to the bhagavathars desire, even if its done as a bhagavathar sampradayam. Gita Govindam singing itself is a Radha Kalyanam. Radha Kalyanam itself is a loka kalyanam, mangalam for everyone, this perumai is Jayadevars Perumai.

When listening to Bhaktha charithram, only then bhakthi is growing more within us.

Radhe Krishna!